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Uber’s IrishXit Taps St. Patrick's Day Nightlife With Timely OOH Ride Cues

The Brand Beat - News Team
Published
March 16, 2026

Uber's Marisa Siegel, Director and Head of US & Canada Growth & Engagement Consumer Marketing joined forces with Mother's Zack Roif, Creative Director and Ana Montoya, Strategist to create the IrishXit campaign.

Credit: Uber

Key Points

  • Out-of-home advertising is evolving from a broad awareness channel into a more contextual medium that can prompt action in real time.

  • Marisa Siegel, Director and Head of US & Canada Growth & Engagement Consumer Marketing at Uber, Zack Roif, Creative Director at Mother, and Ana Montoya, Strategist at Mother, built Uber's new IrishXit campaign around the familiar cultural ritual of quietly leaving a party.

  • The campaign demonstrates how simple, well-timed OOH placements near nightlife hubs can transform a cultural habit into a behavioral cue, nudging riders to book an Uber exactly when they’re ready to head home.

Anywhere people gather, there’d be people who want to leave without saying goodbye, and we’d be their discounted lifeline to do exactly that.

Zack Roif

Creative Director

Zack Roif

Creative Director
Mother

Out-of-home advertising is starting to look a little different these days. What was once primarily a tool for broad brand awareness is increasingly becoming a way for brands to deliver timely, context-driven messages. Uber’s St. Patrick’s Day IrishXit campaign shows how that shift can play out in practice. By placing simple digital messages near busy bars and nightlife hotspots, the brand turned a familiar cultural habit, the quiet "Irish exit," into a real-world behavioral cue.

To bring the idea to life, Uber partnered with creative agency Mother. The effort was led by Marisa Siegel, Director and Head of US & Canada Growth & Engagement Consumer Marketing at Uber, Zack Roif, Creative Director at Mother, and Ana Montoya, Strategist at Mother. Siegel previously worked on iconic brands, including Budweiser's launch of their vodka seltzer, NÜTRL. Roif is an award-winning Adweek 100 honoree and Montoya built strategy for global brands across culture and entertainment. Together, they set out to transform the culturally familiar "Irish exit" into a branded St. Patrick’s Day behavior.

"Anywhere people gather, there’d be people who want to leave without saying goodbye, and we’d be their discounted lifeline to do exactly that," Roif explains. The campaign’s origin was an insight that bubbled up organically. The idea for the IrishXit campaign was born out of an organic conversation about St. Patrick’s Day and rooted in an insight of when people realize it’s time to head home. It also aligns with Uber's goal to connect with riders during real life moments.

  • Last call cue: The creative team at Mother started by embracing the awkward, authentic truth of St. Patrick's Day celebrations. "From the very beginning, we wanted to acknowledge the reality of St. Patrick's Day," Montoya explains. "It’s less about magic and more of a 24-hour marathon, and that became our spark: helping people leave on their own terms. From there, we knew we had something special, making Uber the official car of Irish exits by popping up in OOH in celebration zones, appearing on people's phones while they were in line, and infiltrating the bars themselves with little reminders to make that silent goodbye."

  • Cutting through the noise: The team knew their audience would be distracted, likely hanging out in loud, crowded bars. The solution was ruthless simplicity. The copy had one job: to validate an impulse and provide a timely, safe alternative on a high-risk holiday, fitting neatly into Uber's business model of leveraging its platform for sponsored rides and international ad offers. "The design is simple and straight to the point," Roif notes. "No matter how many rounds deep you find yourself, if you come across our ads, you’ll get the message, and then, hopefully, get the heck out of there."

Authenticity also drove the choice of talent. The campaign features Maura Higgins, a reality star whose persona matched the playful tone. "As everyone’s favorite Irish-born reality star, Maura seemed like the obvious choice," Siegel says. "Her humor and wit align perfectly with the tone. As someone who not only appreciates an Irish exit, but is also genuinely an Uber and Uber Eats user, the partnership felt organic to both her audience and our brand."

  • Maura makes an exit: The creative execution for the campaign's film component was built around Higgins' magnetic personality. "We wanted Maura to be as ‘Maura’ as possible," Roif notes. "We knew we wanted her to Irish exit from anything we did with her. Initially, we looked at having Maura just get up and leave an event on her press tour, and then she’d call in mid-getaway ride to apologize. PR folks didn’t find that idea to be too polite, so we pivoted to her Irish exiting on us on the set of our own ad. We weren’t offended."

The campaign offers a blueprint for how modern OOH can function as more than a visibility play. In this case, the placements operate as a lower-funnel trigger, appearing at the exact moment consumers are deciding what to do next. IrishXit shows how contextual insight, paired with programmatic tools and well-timed creative, can turn a simple billboard into a real-world behavioral nudge.

For Uber, strategies like IrishXit still need to connect cultural relevance with measurable outcomes. While the company is known for major cultural marketing moments, from Super Bowl commercials to interactive fan campaigns, Siegel says the real test is whether the idea strengthens Uber’s role in everyday life. "While we certainly see strong ride demand on holidays, we also look at how effectively Uber becomes part of the cultural conversation and reinforces the role we play in those moments," she concludes. "Ultimately, the goal is to keep Uber top of mind as a convenient, reliable, and safe way to get where you’re going."